Joshua Goldman
Joshua Goldman
min read · October 16, 2025 · Entertainment

Diane Keaton's Cinematic Vision: Exploring the Afterlife in Her Haunting Documentary

As the world continues to mourn Diane Keaton and remember her amazing legacy, the Daily Mail is taking a look at Heaven, her 1987 documentary, which delved into the concept of an afterlife

Diane Keaton's Heavenly Legacy: Unveiling the Fascinating Story Behind Her Groundbreaking Documentary

The world is still reeling from the shocking news of Diane Keaton's passing at 79, leaving behind a legacy that spans decades and genres. The Oscar-winning actress, who left an indelible mark on Hollywood, has been celebrated for her incredible body of work, but there's one lesser-known aspect of her career that deserves to be revisited: her thought-provoking documentary "Heaven."

In 1987, Keaton took a bold step into the world of non-fiction filmmaking with "Heaven," a 1-hour and 20-minute documentary that delved into the concept of an afterlife. This avant-garde project marked a departure from her usual dramatic roles and showcased her willingness to experiment and explore new ideas.

Boxing promoter Don King made a surprise cameo in the 1987 documentary

Keaton's approach to this documentary was nothing short of unconventional, casting a diverse array of interview subjects, including atheists, religious leaders, kids, and even couples. She also included footage from classic films like "Metropolis" (1927), "Green Pastures" (1936), and "Stairway to Heaven" (1946), adding an edgy vibe that was quintessentially Keaton.

Speaking with Vanity Fair in 1987, Keaton shared her creative process, revealing a fascinating aspect of her personality. "Maybe what I'd like to do in heaven is look at images forever and select them," she mused, showcasing her artistic sensibilities. This statement not only provides insight into her vision for the documentary but also hints at her own spiritual curiosity.

While critics' reviews were mixed at the time of its release, late film critic Vincent Canby's scathing review in The New York Times is particularly noteworthy. He called "Heaven" "dumbfoundingly silly" and unkind to those who appeared on camera. However, this harsh assessment pales in comparison to Roger Ebert's thoughtful critique.

Keaton incorporated an array of interesting footage into the doc, adding to the edgy vibe

In an interview with thescholarlynote.com (formerly Daily Mail), Ebert shared his candid opinion about Keaton's documentary: "Some of the answers she receives are memorable, or funny, or moving... Most are not; most are simply opinions from random subjects who have no particular credentials." He also noted that some responses struck him as "too clever" and "too thought out," suggesting that Keaton might have benefited from a more structured approach.

Despite these criticisms, Ebert's review acknowledges the documentary's redeeming qualities: "I'm glad I saw it... It would have worked better as a short film of 30 or 40 minutes." This nuanced assessment highlights the complexity of Keaton's vision and her willingness to take risks in her creative endeavors.

In a 2001 interview with the Golden Globes, while promoting the dramatic comedy "Sister Mary Explains It All," Keaton shared her own views on the afterlife. Reflecting on "Heaven" and its impact on her perspective, she declared: "I don’t believe in hell, I can’t really accept hell as a concept at all... Why would there be such a place as hell, for any of us?"

Keaton said making the documentary convinced her there was no hell

Keaton's words reveal a profound sense of compassion and empathy, underscoring the humanity that defined her work. Her exploration of the afterlife was not merely an intellectual exercise but a deeply personal inquiry into the mysteries of existence.

The passing of this Hollywood legend has left fans and colleagues mourning the loss of a true original. Keaton's increasing reclusiveness in recent years had been a subject of speculation, with songwriter Carole Bayer Sager revealing to People that she had become "shockingly thin" before her death from pneumonia on October 11.

As we reflect on Diane Keaton's remarkable career, it becomes clear that her legacy extends far beyond the films she acted in or directed. Her willingness to experiment, her commitment to exploring new ideas, and her unwavering dedication to her artistic vision have inspired generations of artists and filmmakers.

For the documentary, Keaton cast a wide net for interview subjects - a group which included atheists, religious leaders, kids and couples among those providing their thoughts on the topic

In an era where celebrity culture often prioritizes spectacle over substance, Keaton's work serves as a poignant reminder of the power of art to challenge our assumptions and spark meaningful conversations. As we celebrate her life and legacy, it's time to rediscover the fascinating story behind "Heaven" – a documentary that continues to inspire and provoke us today.

Keaton showed 'excessive attention to visual detail' in the doc, Ebert wrote in 1987

Ebert added that there were moments in the doc he was glad he saw, and that the it would have worked better as 'a short film of 30 or 40 minutes,' instead